If you ain't cowboy, you ain't shit
If you ain't cowboy, you ain't shit
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voguelovesme:

Martha Hunt by Txema Yeste for Numéro #148 Nov 2013
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Marilyn Monroe in Gentlemen Prefer Blondes (1953)

Marilyn Monroe in Gentlemen Prefer Blondes (1953)
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blibblobblib:

Breakfast around the world
blibblobblib:

Breakfast around the world
blibblobblib:

Breakfast around the world
blibblobblib:

Breakfast around the world
blibblobblib:

Breakfast around the world
blibblobblib:

Breakfast around the world
blibblobblib:

Breakfast around the world
blibblobblib:

Breakfast around the world
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You can whistle for it *
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Truisms and Inflammatory Essays by Jenny Holzer. American
This is a sampling of Holzer’s early work, where she printed out the above and plastered them all over NYC in the late 1980’s and early 1990’s. Unlike her current work, these were never intended to be museum pieces, but displayed in the public sphere. Also they were not produced to become permanent pieces of art. 

Truisms and Inflammatory Essays by Jenny Holzer. American
This is a sampling of Holzer’s early work, where she printed out the above and plastered them all over NYC in the late 1980’s and early 1990’s. Unlike her current work, these were never intended to be museum pieces, but displayed in the public sphere. Also they were not produced to become permanent pieces of art. 

Truisms and Inflammatory Essays by Jenny Holzer. American
This is a sampling of Holzer’s early work, where she printed out the above and plastered them all over NYC in the late 1980’s and early 1990’s. Unlike her current work, these were never intended to be museum pieces, but displayed in the public sphere. Also they were not produced to become permanent pieces of art. 

Truisms and Inflammatory Essays by Jenny Holzer. American
This is a sampling of Holzer’s early work, where she printed out the above and plastered them all over NYC in the late 1980’s and early 1990’s. Unlike her current work, these were never intended to be museum pieces, but displayed in the public sphere. Also they were not produced to become permanent pieces of art. 
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lelaid:

Sheila Marquez by Nico for the Harper’s Bazaar Spain 2011 Calendar
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lelaid:

Conchinta Wurst & Ashleigh Good by Karl Lagerfeld for Vogue Paris, September 2014
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